Well, I am not the culinary blog type of fellow, but I simply must tell you about my dinner last night! It was a delightful, harmonious melange of blood soup filled with steaming, meaty human eyeballs. How they frolicked like swimming toddlers each time we plunged in the spoons! At the base of the plate there was a garnish of severed fingers with stewed brain dipping sauce. Yum-my. I won't even get into the spinal cord remoulade -- there simply are not words enough. For dessert, my wife served chopped earlobes sprinkled over iced entrails. Oh -- the ecstasy of the taste buds.
Afterwards, we retreated to the torture room where we dusted the skeletons (always a chore around the metatarsals) and then tapped our feet in time to the panicked screams of our suffering captives. Ha. Good times. Great for the digestion. Nothing says "home" like the creaking of the ropes on the rack as a loved one cranks the capstan. Why, I remember my grandmother shutting children into the oven (oh, they were strays she found in the forest) -- she would always sing the same song in her cute, emaciated, wavering little soprano: "A Fat Little Treat For Grandma to Eat." Memories . . .
After our post-dinner rest, my wife and I got the blood-caked axes out of the umbrella stand and went out for a twilight walk, looking for someone to dismember. On our journey we would wave the axes menacingly at passing kids. Fortunately, we happened upon that annoying fellow down the street who cuts his grass at eight on Sunday mornings, long before we have to get up and go to black mass. (We'll be sleeping in this week.)
So, after that -- shall we say -- "exercise," we two climbed into our cozy coffins and lapsed into hibernation. Oh, it only lasts until the blood lust kicks in again in the morning, but we get the rest we need.
Sigh . . .
Can someone please tell me why talk like this is okay once a year? What is it about Halloween that makes severed limbs in casual conversation acceptable? I mean we get used to it and all, and tolerate it because we smile while we say it, but doesn't anyone ever worry about what the joy we take in the all of this says about us as people? For God's sake, everyone: BEWARE YOURSELVES!!!!!! The day is coming . . .
Where does it come from?
Wednesday, September 29, 2010
Monday, September 27, 2010
David and the Fig Leaf
Posted by
Chris Matarazzo
at
6:25 AM
Apparently, there has been a bit of a scuffle over what type of nudity is quite proper in French resorts. At Cap d'Agde, the town is in a clash: the "naturists" vs. the "libertines". (They still have libertines?) It seems the libertines are using the legal public nudity to, let's say, allow easier access to naughty fun in random places with various Biblically inadvisable combinations and numbers of people. The traditional naturists -- the ones who see nudity as a perfectly fine family activity which is devoid of sexuality -- find this appalling. It makes me wonder how long we are going to try to narrow down our incredibly complex human spirits and minds into neat categories. It won't work, people. We are much more complex than that.
William Blake, that wonderful early Romantic nut, said, in the Proverbs of Hell, that "the nakedness of woman is the work of God." The guy was, in much of his philosophy and work, maybe the first proponent of "free love" in literary history -- yes, even before Crosby, Stills, Nash and Young. But, in his ironic proverbs, he is making a point for the purity of nakedness. In short, there is a balance in this fairly loony poet/artist that most people lack.
Generally, I find myself annoyed that people seem to accept that stuff just happens. They say, "Teens just become rebellious -- and they all experiment with drugs and alcohol; people become heartless as they get older; people will succumb to temptation." I once heard a youth counselor tell kids they shouldn't even hug each other -- that any physical contact, like pressing the bodies together, was a bad idea before marriage because it could "lead to other things." Well, yeah, it could. But do we tell people who love sports not to go into Modell's because it might lead to stealing? (Or rubbing the leather gloves wantonly?) How about just encouraging kids, guiding them -- saying to them: "You can control yourself. Identify your own line and don't cross it." Teaching kids to avoid all contact is the same as teaching them to avoid taking responsibility for controlling themselves.
And, please, don't tell me that is an unrealistic way of thinking. It is only unrealistic as long as we believe it is as a collective societal mind.
So, back to the naked French people. The natural nudies are mad at the hoochy-coochy nudies for engaging in hoo-ha and not just playing volleyball and cooking burgers with their kids. (Why does it always have to be volleyball? Can't it be, like, horseshoes, or something?) The "libertines" feel they are simply engaging in natural, unabashed human fun. To me, each of these groups is composed of les idiots.
Nudity is both a sexual and non-sexual state. If you are right in the head, you can appreciate the aesthetics of the human body, the way Michelangelo did, and also realize that the sexual impulse is strong (like Michelangelo did) and, at the right times, perfectly wonderful.
As things stand, we wear clothes in public in most places. It is practical in terms of avoiding both sunburn and frostbite, and it helps us to keep perspective. To take clothes off is a choice as is the time during which we do it. Having them on and taking them off can be equally tantalizing states. We make the choices to be celibate or not. Our respective religions guide us as to when these choices are appropriate. But let us not act as if a "wardrobe malfunction" or a low-cut shirt is an evil. Let's just teach our kids: The body is beautiful and powerful. Respect it in every way -- both yours and everyone else's. "Sin" starts in the mind. Let's not equate the body with it from day one.
In the end, how silly is it to put a fig leaf over David's privates? You see them everywhere, these censored masterpieces: on lawns; in front of pizza places and caterers. Why? He's just standing there, either pre or post Goliath clobbering. The sculptor's work is a celebration of the body's aesthetic beauty. If David makes people feel randy, they will simply have to control themselves. And, just maybe, if more kids grow up thinking the body is beautiful and with a perspective of having seen what it looks like, especially in great art and under the thoughtful guidance of their parents, they may not be as eager to undress their dates after the prom to get a look.
WHADDYA THINK?
William Blake, that wonderful early Romantic nut, said, in the Proverbs of Hell, that "the nakedness of woman is the work of God." The guy was, in much of his philosophy and work, maybe the first proponent of "free love" in literary history -- yes, even before Crosby, Stills, Nash and Young. But, in his ironic proverbs, he is making a point for the purity of nakedness. In short, there is a balance in this fairly loony poet/artist that most people lack.
Generally, I find myself annoyed that people seem to accept that stuff just happens. They say, "Teens just become rebellious -- and they all experiment with drugs and alcohol; people become heartless as they get older; people will succumb to temptation." I once heard a youth counselor tell kids they shouldn't even hug each other -- that any physical contact, like pressing the bodies together, was a bad idea before marriage because it could "lead to other things." Well, yeah, it could. But do we tell people who love sports not to go into Modell's because it might lead to stealing? (Or rubbing the leather gloves wantonly?) How about just encouraging kids, guiding them -- saying to them: "You can control yourself. Identify your own line and don't cross it." Teaching kids to avoid all contact is the same as teaching them to avoid taking responsibility for controlling themselves.
And, please, don't tell me that is an unrealistic way of thinking. It is only unrealistic as long as we believe it is as a collective societal mind.
So, back to the naked French people. The natural nudies are mad at the hoochy-coochy nudies for engaging in hoo-ha and not just playing volleyball and cooking burgers with their kids. (Why does it always have to be volleyball? Can't it be, like, horseshoes, or something?) The "libertines" feel they are simply engaging in natural, unabashed human fun. To me, each of these groups is composed of les idiots.
Nudity is both a sexual and non-sexual state. If you are right in the head, you can appreciate the aesthetics of the human body, the way Michelangelo did, and also realize that the sexual impulse is strong (like Michelangelo did) and, at the right times, perfectly wonderful.
As things stand, we wear clothes in public in most places. It is practical in terms of avoiding both sunburn and frostbite, and it helps us to keep perspective. To take clothes off is a choice as is the time during which we do it. Having them on and taking them off can be equally tantalizing states. We make the choices to be celibate or not. Our respective religions guide us as to when these choices are appropriate. But let us not act as if a "wardrobe malfunction" or a low-cut shirt is an evil. Let's just teach our kids: The body is beautiful and powerful. Respect it in every way -- both yours and everyone else's. "Sin" starts in the mind. Let's not equate the body with it from day one.
In the end, how silly is it to put a fig leaf over David's privates? You see them everywhere, these censored masterpieces: on lawns; in front of pizza places and caterers. Why? He's just standing there, either pre or post Goliath clobbering. The sculptor's work is a celebration of the body's aesthetic beauty. If David makes people feel randy, they will simply have to control themselves. And, just maybe, if more kids grow up thinking the body is beautiful and with a perspective of having seen what it looks like, especially in great art and under the thoughtful guidance of their parents, they may not be as eager to undress their dates after the prom to get a look.
WHADDYA THINK?
Friday, September 24, 2010
It Doesn't Make You a Robot
Posted by
Chris Matarazzo
at
6:31 AM
I know I am supposed to play it all cool and techno-savvy. And I am pretty good with buttons and wires and stuff. I should function on this site as if there is a USB/Mr. Data hookup to my head that runs right into the computer and I should spout out words like "resolution" and "upload" and "server" in the same breath with references to peanut butter and jelly, right? But, can we all stop playing cool here for a minute? The Internet is pretty neat. So is technology, in general.
We could treat technology in two polar-opposite ways: We can act like giddy, techno-drunk morons with pictures of our new iPads above the mantle where Grandma used to be, or we can posture ourselves as throwbacks -- tortured souls who "would rather use pencil and paper." There has to be, as usual, a better place in the middle, don't you think?
Today I was checking my blog stats. I got hits from Romania. Whether or not they are accidents is not the point. Romania! I also got some from Russia. I'm in the US. That's far. I have had this blog for about two weeks. Japan, South Korea, Ireland, the UK, Canada (but I know who that is -- a former butler of mine) have all clicked on here, too. The other countries may have been mistakes -- a click or two apiece -- but the Romania person may be for real -- nine hits.
Are you sticking with me? If you are the person in Romania, please leave a comment. Say hello. It would make my century, because the Internet is cool beyond belief.
Most people who have lived in "golden ages" weren't aware of it when they were living through them. Let's pause for a minute and soak it in: We live in an age where technology is allowing musicians to get their music out to people, instantly, and where writers can communicate with the world, instantly. No stuffed shirts need to validate them with contracts. Soldiers in Afghanistan can Skype with their wives and kids. In short, this cold technology can help us to warm up to each other and to express ourselves. This isn't something new that I'm pointing out, but many still see computers and iPhones as a dark machinery -- as a replacement for the human touch. Well, they ain't -- not unless we insist on seeing it as such. Hamlet said "there is nothing either good or bad, but thinking makes it so." (Granted, things did not work out well for him, but he was right about that.) If we insist on thinking like humans, we will never become robots, no matter how much chrome surrounds us.
That being said, time for a shameless promotion of some good fortune that came out of the Internet and this blog. I am now a contributing writer for When Falls the Coliseum -- a journal of American culture [or lack thereof]. It is a great online magazine, with a bit of a trailblazing history, full of excellent articles. My first article, "In Defense of Shameless Pleasures" was published yesterday. Please check it out by clicking on the title you just read. (The preceding piece of advice was brought to you by TASFPPAP -- the American Society for the Preservation of Pencils and Paper.)
We could treat technology in two polar-opposite ways: We can act like giddy, techno-drunk morons with pictures of our new iPads above the mantle where Grandma used to be, or we can posture ourselves as throwbacks -- tortured souls who "would rather use pencil and paper." There has to be, as usual, a better place in the middle, don't you think?
Today I was checking my blog stats. I got hits from Romania. Whether or not they are accidents is not the point. Romania! I also got some from Russia. I'm in the US. That's far. I have had this blog for about two weeks. Japan, South Korea, Ireland, the UK, Canada (but I know who that is -- a former butler of mine) have all clicked on here, too. The other countries may have been mistakes -- a click or two apiece -- but the Romania person may be for real -- nine hits.
Are you sticking with me? If you are the person in Romania, please leave a comment. Say hello. It would make my century, because the Internet is cool beyond belief.
Most people who have lived in "golden ages" weren't aware of it when they were living through them. Let's pause for a minute and soak it in: We live in an age where technology is allowing musicians to get their music out to people, instantly, and where writers can communicate with the world, instantly. No stuffed shirts need to validate them with contracts. Soldiers in Afghanistan can Skype with their wives and kids. In short, this cold technology can help us to warm up to each other and to express ourselves. This isn't something new that I'm pointing out, but many still see computers and iPhones as a dark machinery -- as a replacement for the human touch. Well, they ain't -- not unless we insist on seeing it as such. Hamlet said "there is nothing either good or bad, but thinking makes it so." (Granted, things did not work out well for him, but he was right about that.) If we insist on thinking like humans, we will never become robots, no matter how much chrome surrounds us.
That being said, time for a shameless promotion of some good fortune that came out of the Internet and this blog. I am now a contributing writer for When Falls the Coliseum -- a journal of American culture [or lack thereof]. It is a great online magazine, with a bit of a trailblazing history, full of excellent articles. My first article, "In Defense of Shameless Pleasures" was published yesterday. Please check it out by clicking on the title you just read. (The preceding piece of advice was brought to you by TASFPPAP -- the American Society for the Preservation of Pencils and Paper.)
Monday, September 20, 2010
Why Your Dad is Like Othello
Posted by
Chris Matarazzo
at
6:23 AM
I'm not a big fan of justifying behaviors by explaining them but I do believe in understanding behaviors in order to help soften their negative blow to our world.
People have been pointing a certain group out for a few years now: "helicopter parents". There are jokes about them and horror stories of these clingy parents accompanying their adult children to job interviews. Every teacher and, these days, every professor, has to deal with them. They do all the work for their kids, from picking classes to disputing grades -- they even do their homework. (Oh, yes you do, sir. I didn't just fall off of the rhubarb truck. ) If they could, they would walk everywhere in front of their kids wielding bubble wrap, deflecting everything from falling acorns to smart bombs. It's all a result of the intensity of parental love -- a love that some people simply can't handle with reason.
Love can heal cancer, some say, but it can also ruin lives. Ask Othello. Oh, wait, you can't because he let his overwhelming obsession with the purity, faithfulness and the well-being of his wife, Desdemona, drive him into insane fits of jealousy, brought on by Iago whose paranoia-inspiring whispers completely cracked the Moor's confidence and ability to think rationally. So what did he do? He smothered his wife. Smuh-thered. Art thou with me?
So, take out the "romantic" and leave the intense, all-consuming love and we have parents in the role of Othello and our society and media in the role of Iago. (Please don't forget the part about taking out "romantic" -- I don't want this to turn Freudian and gross.) The kids? Smuh-thered.
Like with Othello, it's crazy, but I do get it. Iago is constantly telling parents how children are abducted from their front yards; how most child-molesters are members of our own families; how kids get sick and die for no reason; how teachers are no good and lazy and sometimes seduce their innocent students; how all kids rebel and do stupid stuff to impress their friends and sometimes die as a result; and, most horrifically, how our kids will someday no longer be our cuddly little pals who tell the truth and who run to us when the thunder claps . . .
I mean, we spend about eight years being capable of saving our kids from nearly all harm, then the little ingrates have the gall to start wandering off on their own to friends' houses -- next thing you know they are sneaking kisses with the neighbor's daughter (or son -- let's be fair). Then what do these rotor-equipped parents do? They try to control what they can in a desperate attempt to keep protecting the thing they hold dearest -- the precious child that the world wants to kill, maim, make sick and, ultimately, seduce into leaving them.
The seduction begins with video games and moves to parties, random independence and, finally, fat, shiny jobs. That hurts. So if the parents can't have their children, no one can. They get jealous. They control, guide and cover. Smuh-thered.
Obviously, we need to be stronger than this for our kids. But let's not go in the other direction, either: "We never wore seat belts and we were okay!" Who is this "we"? Not the kid who smashed through the windshield and died in 1949 when his dad bumped the car in front of him at twenty five miles per hour, surely. Let's just agree not to say stupid crap like that.
So what message can we give to these parents? Maybe it's that kids are like kites. You put them together with love, carefully carry them to where the wind is -- taking care not to rip the thin paper or break the balsam bracings -- then you run them into the wind and let them rise up on their own, gently guiding them. But when they are up so high they are out of sight, you need to sit down in the sand -- still holding the string so they don't fly away and crash somewhere, alone -- and wait there in case they fall and need you to put them back together again. But take heart: you don't ever have to let go completely. Not completely. You just can't fly everywhere with them.
People have been pointing a certain group out for a few years now: "helicopter parents". There are jokes about them and horror stories of these clingy parents accompanying their adult children to job interviews. Every teacher and, these days, every professor, has to deal with them. They do all the work for their kids, from picking classes to disputing grades -- they even do their homework. (Oh, yes you do, sir. I didn't just fall off of the rhubarb truck. ) If they could, they would walk everywhere in front of their kids wielding bubble wrap, deflecting everything from falling acorns to smart bombs. It's all a result of the intensity of parental love -- a love that some people simply can't handle with reason.
Love can heal cancer, some say, but it can also ruin lives. Ask Othello. Oh, wait, you can't because he let his overwhelming obsession with the purity, faithfulness and the well-being of his wife, Desdemona, drive him into insane fits of jealousy, brought on by Iago whose paranoia-inspiring whispers completely cracked the Moor's confidence and ability to think rationally. So what did he do? He smothered his wife. Smuh-thered. Art thou with me?
So, take out the "romantic" and leave the intense, all-consuming love and we have parents in the role of Othello and our society and media in the role of Iago. (Please don't forget the part about taking out "romantic" -- I don't want this to turn Freudian and gross.) The kids? Smuh-thered.
Like with Othello, it's crazy, but I do get it. Iago is constantly telling parents how children are abducted from their front yards; how most child-molesters are members of our own families; how kids get sick and die for no reason; how teachers are no good and lazy and sometimes seduce their innocent students; how all kids rebel and do stupid stuff to impress their friends and sometimes die as a result; and, most horrifically, how our kids will someday no longer be our cuddly little pals who tell the truth and who run to us when the thunder claps . . .
I mean, we spend about eight years being capable of saving our kids from nearly all harm, then the little ingrates have the gall to start wandering off on their own to friends' houses -- next thing you know they are sneaking kisses with the neighbor's daughter (or son -- let's be fair). Then what do these rotor-equipped parents do? They try to control what they can in a desperate attempt to keep protecting the thing they hold dearest -- the precious child that the world wants to kill, maim, make sick and, ultimately, seduce into leaving them.
The seduction begins with video games and moves to parties, random independence and, finally, fat, shiny jobs. That hurts. So if the parents can't have their children, no one can. They get jealous. They control, guide and cover. Smuh-thered.
Obviously, we need to be stronger than this for our kids. But let's not go in the other direction, either: "We never wore seat belts and we were okay!" Who is this "we"? Not the kid who smashed through the windshield and died in 1949 when his dad bumped the car in front of him at twenty five miles per hour, surely. Let's just agree not to say stupid crap like that.
So what message can we give to these parents? Maybe it's that kids are like kites. You put them together with love, carefully carry them to where the wind is -- taking care not to rip the thin paper or break the balsam bracings -- then you run them into the wind and let them rise up on their own, gently guiding them. But when they are up so high they are out of sight, you need to sit down in the sand -- still holding the string so they don't fly away and crash somewhere, alone -- and wait there in case they fall and need you to put them back together again. But take heart: you don't ever have to let go completely. Not completely. You just can't fly everywhere with them.
Friday, September 17, 2010
On the Lonaconing Trail
Posted by
Chris Matarazzo
at
6:32 AM
Every day I drive on a road that was once a Native American path for journeys to the sea and that became, for some time at least, the longest highway in the world. And, every day, I pass a particular house. For years I would wonder whose it "is". Now I wonder whose it was, as it sits empty and crumbles into a beautiful decay.
This road is bullied, on both sides, by businesses, gas stations, billboards, cell phone towers, abandoned lots with grassy cracks, apartment complexes and diners. But the house I see every day squats a few feet down off of the road, on a property of a few acres that muscles away the artificial ugliness around it like a crew-cut Samson grunting between crumbling pillars. It's a small green house with a glass solarium on the front. Behind it, there is a matching green barn with an old winch poised over the upper door for lifting the ghosts of hay bales. It is surrounded by trees and clumps of high, brushy grass that stretch off into the distance as far as I have time to see in a leftward glance at sixty miles-per-hour. There used to be two cars parked next to the door in the mornings; small ones; modest ones. Most days I would wonder about those people in that eccentric house in that unlikely location. Now I wonder where they have gone. I wonder whose house it was.
It's on an easy-to-forget curve in the road that stagecoaches once clopped around so much more slowly than we daily travelers do. Sometimes, stepping out of my car, I question whether I've ever really seen the place at all.
Among the brush, streaked with brown rust stains, there stands a giant satellite dish, next to what's left of a brick stove. The dish has to be ten feet across. It looks desperate -- pleading for a signal from any source from anywhere.
In the end, I do know whose house that is, on the long road, standing its ground among businesses, towers, lots and motels; dropping in and out of the minds of those who see it now and again; sitting in its own temporary oasis, quiet in a noisy world, full of forgotten history and facing its misty future. In the end, I know exactly whose house that is. It's mine.
This road is bullied, on both sides, by businesses, gas stations, billboards, cell phone towers, abandoned lots with grassy cracks, apartment complexes and diners. But the house I see every day squats a few feet down off of the road, on a property of a few acres that muscles away the artificial ugliness around it like a crew-cut Samson grunting between crumbling pillars. It's a small green house with a glass solarium on the front. Behind it, there is a matching green barn with an old winch poised over the upper door for lifting the ghosts of hay bales. It is surrounded by trees and clumps of high, brushy grass that stretch off into the distance as far as I have time to see in a leftward glance at sixty miles-per-hour. There used to be two cars parked next to the door in the mornings; small ones; modest ones. Most days I would wonder about those people in that eccentric house in that unlikely location. Now I wonder where they have gone. I wonder whose house it was.
It's on an easy-to-forget curve in the road that stagecoaches once clopped around so much more slowly than we daily travelers do. Sometimes, stepping out of my car, I question whether I've ever really seen the place at all.
Among the brush, streaked with brown rust stains, there stands a giant satellite dish, next to what's left of a brick stove. The dish has to be ten feet across. It looks desperate -- pleading for a signal from any source from anywhere.
In the end, I do know whose house that is, on the long road, standing its ground among businesses, towers, lots and motels; dropping in and out of the minds of those who see it now and again; sitting in its own temporary oasis, quiet in a noisy world, full of forgotten history and facing its misty future. In the end, I know exactly whose house that is. It's mine.
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