I glanced over at her and smiled, if you can call pressing your bottom teeth against your top lip a smile. She did it back. She always did it back. Her two middle bottom teeth cower behind each other like little kids being introduced to scary grown-ups. In a pretty kind of way.
"Hungry," she said.
"Me, too. And thirsty."
The inspiration for this masterpiece. |
Sinatra was buzzing low on the radio -- so low that he was only dropping hints about what Johnny Mercer was trying to lay down, like some musical mouse whispering secrets through a tin can phone to an almost-deaf guy on the other end (who wasn't really listening, anyway, because he hates Sinatra).
The wheels rolled. The flat fish on my leg crumpled into a fist.
"Hungry," she said. "I need food."
"Keep your eyes peeled for a place, baby," I crooned, smiling again, kind of. I gave her that under-the-hat-brim look, except there was no hat brim. In fact, there was no hat. And no hair. I'm as bald as Yule Brenner after a bad sunburn the day before a chemical head peel.
Soon, the fist turned into a gun and it took aim: "Look -- there." POW. Bull's eye.
Sure enough, we saw a sign. A real sign -- not one of those newfangled metaphorical "signs" all the college kids and preachers keep yammering about. An actual plastic sign in front of an actual roadside bar:
I pulled into the dirt lot and we walked a hungry, dusty walk, like a a couple of emaciated Pigpens sketched up by Charles M. Schultz while he was thirsty and totally out of lemonade."LIVE MUSIC/FOOD"
We sat down in this roadside dive that boasted LIVE MUSIC/FOOD. Sure, we were happy for a little bit. The band was exceptional . . . but the chicken pecked and scratched us every time we tried to take a bite.
Apparently, live food ain't all it's cracked up to be.
Anyway, the beer was good and dead.
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