The Genius of Brian Wilson

In general, when the name Brian Wilson is mentioned among (talented) musicians, you get a respectful, gentle, slightly sorrowful shaking of heads. Even musicians who didn't really like The Beach Boys are forced to admit that Wilson is something special. I fit this category: I have never liked the Beach Boys' sound, in general, but could always hear Wilson's genius through it all; like a Robert Frost quietly reading "Mending Wall" aloud in a crowded bar.

"Genius," as we know, is thrown around quite a bit, these days, but I think Brian Wilson is one guy who deserves the label. In fact, in terms of his harmonic and melodic concept, I think he ought to be recognized as one of America's greatest composers. I'd love to hear him write specifically for orchestra. I imagine the resulting sounds would rival the achingly atmospheric textures of Ravel.

Despite not being much of a fan of the Beach Boys' sound, I heard this again the other day and was reminded of what a treasure Wilson is, as a composer; and, also, of how sad he must have been -- a sadness that lead him down a now-famous path of self abuse from which he has, thankfully, recovered.

Here is a young man, writing the lyrics of a young man -- not terribly refined; sort of stilted in their poetic intentions; endearingly simple in their symbolism; wide-eyed with  honesty -- over the music of a harmonic genius, way ahead of his time, as he was (and is) always destined to be. Wilson's words:

"I struggled at the piano, experimenting with rhythms and chord changes, trying to emulate in sound the ocean's shifting tides and moods as well as its sheer enormity. I wanted the music to reflect the loneliness of floating a raft in the middle of the Pacific. I wanted each note to sound as if it was disappearing into the hugeness of the universe."

Here is "'Til I Die":



Wonderful music, whatever standards are applied to it. Just wonderful.